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PRETTY BOY FLOYD SHOOTS FROM THE HIP
An interview with Jim Mataya by R Givens © 1991
R Givens: How did you get started in the game?
Jim Mataya: I used to hang around a boxing gymnasium and they had a pool table there. You played until you lost. I was ten or eleven years old. I’d watch the big guys play and wait for my turn. Naturally, I’d get beat and wait thirty or forty minutes to play another game.
RG: What attracted you to the game?
JM: It seemed pretty interesting to me. I had a lot of fun with the game watching the balls roll around. Along about that time the movie "The Hustler came out and a lot of people began to be attracted by pool. At that time I was impressed with pool anyway, so I figured I’d give it a go.
RG: Did the "Hustler" have a big influence on you?
JM: Yeah, I guess so. I was about eleven or twelve years old.
RG: How did your game develop?
JM: I started to play in tournaments when I was 15 and being around all the good players for so many years helped me learn. I had a natural ability to play the game, but you have to learn things about the game. Tournaments helped a lot, playing all the top players.
RG: What was the hardest part of the game to learn?
JM: Hmmmm. When to quit, I guess.
RG: What do you mean?
JM: (laughs) You get into a lot of individual battles away from the tournament scene and no matter how bad someone would be beating on me, I’d never want to quit. There’s times you should use your head a little better. You might end up with more money that way.
RG: Was an instructor instrumental in developing your game?
JM: Yes. I had a guy in New York by the name of Bill Amadeo who helped me a lot playing straight pool when I was about 17.
RG: How did he help your game?
JM: He taught me what balls to shoot first. I could shoot anything from just about anywhere, but that ain’t the way you play the game. You’ve got to have a little insight into what you are doing. Thinking ahead and so on. He taught me the right shots to shoot. It’s more than a game of hitting a ball into the hole. You’ve got to have an idea of what you are doing, a little road map in your mind.
RG: How long did it take to reach a professional level?
JM: It didn’t take me long. I won my first major tournament when I was 17.
RG: When did you know you’d make it as a pro?
JM: When I was about 15. I won my first tournament when I was 15. From there on I knew I was going to play pool all the time. I won the World title when I was 21 and again when I was 22.
RG: How important is topflight competition for maintaining peak performance?
JM: It’s real important. It keeps you ready to fight. When you are playing guys where when you miss you aren’t going to get another shot, it’s a little different than playing someone who is not on your level. The minute you run into somebody that’s a force you are going to be in trouble, if you haven’t been doing a lot of battling with top players. It’s just like a fighter. He can spar with bums all he wants, but it’s a little different when you’re going for the title. Tough competition helps a lot. It helps keep you razor sharp.
RG: What’s your best game?
JM: 8–ball, 9–ball, straight pool.
RG: Any distinction between the games?
JM: No any one of those three. It doesn’t matter.
RG: How well do you play straight pool?
JM: I’ve run hundreds in straight pool.
RG: What’s your high run?
JM: About 200.
RG: That’s very good.
JM: Well, straight pool is not all that hard once you learn a few things about it. It’s not as hard and as gruelling as 9–ball. In 9–ball, you’ve got to make shots the length of the table and shoot bank shots and cut shots, where in straight pool you always play for the little easy shots. Straight pool is a good building block for any other game. You learn a lot from the game, but it ain’t all it’s cracked up to be. It ain’t near as tough as 9–ball.
RG: How would you compare the players twenty years ago with those today?
JM: A champion is a champion. They all do the same thing. They get the job done. You give them a shot and they are off to the races. The only thing different today is there is more competition, more people playing. So you’ve got a lot tougher road to go in these tournaments compared to years ago. The players are becoming more educated all the time, so it’s tougher to win because of the upgrade in the competition. And like I say, the game today is 9–ball instead of straight pool.
RG: What’s the biggest difference between a good amateur and a professional?
JM: The education of the game. Knowing when to play safe. Knowing the right shot to shoot. Having a road map in your mind of what to do. Most amateurs and beginners just shoot the ball in and take what’s left. They don’t think ahead. Well, they think ahead, but they don’t think the right way. It takes a long time to learn how to play the game the right way. If you are just a shotmaker, that’s a good tool to start with,but to improve you need to learn things from the game and you learn by playing a long tie and from people helping you.
RG: How can average players improve their pattern play?
JM: Unless someone explains it a little bit, it’s hard to pick up on your own. It’s hard to understand hat they are doing, unless you have it in your own mind. A guy might run four or five racks of 9–ball and you might say, "Well, he’s a good shotmaker," but there’s more to it than that. You don’t want your cueball flying all over the place. Of course, in 9–ball, sometimes you can’t help it. But you don’t want to move the cueball around too much.
RG: What causes most misses among experts?
JM: Taking a shot for granted. sometimes you miss because you take a shot for granted. As far as tournaments go, you just dog it because of pressure.
RG: Is pressure a big factor?
JM: Sure it is. That’s the number one factor. When I practice, I play as good as anybody that ever lived. Never miss a ball. Get out there in a tournament and it’s a different story. A different story when you got pressure on you. The mental trip is half the battle. You’ve got to somehow relax yourself. If you don’t, you are in a lot of trouble.
RG: A handful of players like Varner, Strickland and Davenport dominate the pro tour. What sets them apart from the rest of the pack?
JM: They handle the pressure better than a lot of people, They know the game real well and they’ve got a lot of natural ability. When you win, you gain confidence. A pool player without confidence just can’t win. When you get on their level all you want is a shot. As soon as you get a shot, you know in your own mind that the game is over. When you get that type of feeling, you are there. Mentally, your concentration has to be there. You’ve got to want to win. Winning’s got to be the most important thing to you. When the good players play, it’s just a question of who’s going to get the shots and who isn’t.
RG: Why can’t the women beat the men?
JM: they don’t have the education of the game. Twenty years ago I watched them play and it was boring. It’s not like that anymore. the women play good now. They have the capability to shoot balls in the hole, but now they have to learn how to play the game. Men have been playing the game for centuries; women have only been playing for 25 years where they’ve got good competition. They’re learning things from the men when they go to tournaments. The women can’t beat the men because they don’t have the education of the game, but once they do there’s no reason they can’t compete with the men. They don’t have a powerful opening break, but after that there’s no reason why a woman can’t play as well as a man.
RG: What do you think of jump cues?
JM: I think they should be barred from the game. It doesn’t take any talent to use a jump cue. If you have to masse your cueball or go three or four cushions to hit the ball, it takes an education, but they pull out these jump cues and it takes no talent as far as I’m concerned. It takes a lot of skill away from the game. Instead of practicing with their jump cues, they ought to practice some billiards. Then they could learn something that really helps when you’re playing with rules where you have to kick at the ball. The rules really favor a good billiard player.
RG: What do you like about the pro tour?
JM: When I was young, I used to like the competition. I like being in competition. I’ve been competing for 26 years. Now I want to get paid for it. A fighter can go out there and get knocked out in ten seconds and pick up ten million. You play a pool match and if you lose you don’t get paid. I don’t like that at all. Neither do any of the other players. Pool tournaments are real simple. If you don’t come in 1st or 2nd, you go home a loser. It’s too tough. There’s no game tougher than pool. Of the non-physical sports, pool is the boss of all games. When you have to beat the best in the world to pick up five or ten thousand, it’s an insult.
I’d like to see how good the golfers played if they didn’t get paid for losing. There’s no pressure if you’ve got to make a putt to win $200,000 and if you miss you get $120,000. Hell, you call that pressure. Get up there when you’ve got to shoot a shot nine feet rail to rail and you get nothing if you miss. that’s pressure.
RG: How do players survive on the tour?
JM: They get backers. They hustle around a little bit. If there’s a tournament somewhere, I don’t care if it’s on the moon, they’re going to it. Whatever it takes to get there, they’ll do it.
RG: The snooker players in England succeeded in getting money into their game.
JM: They succeeded because they have gambling. You can bet on it. They’ve got legalized bookmakers thee just like going to the race track. People can turn on their TV and bet on a match.
RG: What can be done to get the game moving?
JM: We need a sponsor. We’ve got the tour. We’ve got the players. We can put on the greatest show in the world for them, but until the big money comes along what good is it?
RG: 7-UP and some other major corporations use pool in their commercials, but I don’t see them promoting the game or sponsoring any players.
JM: Sure, pool players have been getting used and abused their whole life. Take a look at the commercials on TV involving a pool table. They have a model come in who can’t even hold a cue stick. Who wants to watch some guy from Mabelline that can’t hold a cue. It’s boring. If they had a professional doing it the right way, it’d be the kind of commercial where people wouldn’t turn the station. That’s the difference between being smart in the marketing business and being an idiot. If those advertising executives want a commercial that’ll be talked about, send them to me. I’ll make the most talked about commercial in history.
RG: Do you think pool has an image problem?
JM: They say that pool has a bad image, but I don’t understand that. Watch Tommy Lasorda on TV. If you can read lips, I don’t have to tell you what he says every three minutes. The same way with all those referees, coaches and players---nothing but filthy language. They’re all on drugs and everything else. They can’t read, can’t write, can’t spell their name, but that’s OK because there’s big money involved. That’s where America is full of baloney. Anything that’s got money involved, they’re all for it. They don’t care about the fact that you’ve been in prison or that you are a dope head. As long as there’s money involved, it’s OK. They dog pool players because there isn’t any money involved. If there was some money in the game, they’d think pool players were the greatest people who ever lived.
An interview with Jim Mataya by R Givens © 1991
R Givens: How did you get started in the game?
Jim Mataya: I used to hang around a boxing gymnasium and they had a pool table there. You played until you lost. I was ten or eleven years old. I’d watch the big guys play and wait for my turn. Naturally, I’d get beat and wait thirty or forty minutes to play another game.
RG: What attracted you to the game?
JM: It seemed pretty interesting to me. I had a lot of fun with the game watching the balls roll around. Along about that time the movie "The Hustler came out and a lot of people began to be attracted by pool. At that time I was impressed with pool anyway, so I figured I’d give it a go.
RG: Did the "Hustler" have a big influence on you?
JM: Yeah, I guess so. I was about eleven or twelve years old.
RG: How did your game develop?
JM: I started to play in tournaments when I was 15 and being around all the good players for so many years helped me learn. I had a natural ability to play the game, but you have to learn things about the game. Tournaments helped a lot, playing all the top players.
RG: What was the hardest part of the game to learn?
JM: Hmmmm. When to quit, I guess.
RG: What do you mean?
JM: (laughs) You get into a lot of individual battles away from the tournament scene and no matter how bad someone would be beating on me, I’d never want to quit. There’s times you should use your head a little better. You might end up with more money that way.
RG: Was an instructor instrumental in developing your game?
JM: Yes. I had a guy in New York by the name of Bill Amadeo who helped me a lot playing straight pool when I was about 17.
RG: How did he help your game?
JM: He taught me what balls to shoot first. I could shoot anything from just about anywhere, but that ain’t the way you play the game. You’ve got to have a little insight into what you are doing. Thinking ahead and so on. He taught me the right shots to shoot. It’s more than a game of hitting a ball into the hole. You’ve got to have an idea of what you are doing, a little road map in your mind.
RG: How long did it take to reach a professional level?
JM: It didn’t take me long. I won my first major tournament when I was 17.
RG: When did you know you’d make it as a pro?
JM: When I was about 15. I won my first tournament when I was 15. From there on I knew I was going to play pool all the time. I won the World title when I was 21 and again when I was 22.
RG: How important is topflight competition for maintaining peak performance?
JM: It’s real important. It keeps you ready to fight. When you are playing guys where when you miss you aren’t going to get another shot, it’s a little different than playing someone who is not on your level. The minute you run into somebody that’s a force you are going to be in trouble, if you haven’t been doing a lot of battling with top players. It’s just like a fighter. He can spar with bums all he wants, but it’s a little different when you’re going for the title. Tough competition helps a lot. It helps keep you razor sharp.
RG: What’s your best game?
JM: 8–ball, 9–ball, straight pool.
RG: Any distinction between the games?
JM: No any one of those three. It doesn’t matter.
RG: How well do you play straight pool?
JM: I’ve run hundreds in straight pool.
RG: What’s your high run?
JM: About 200.
RG: That’s very good.
JM: Well, straight pool is not all that hard once you learn a few things about it. It’s not as hard and as gruelling as 9–ball. In 9–ball, you’ve got to make shots the length of the table and shoot bank shots and cut shots, where in straight pool you always play for the little easy shots. Straight pool is a good building block for any other game. You learn a lot from the game, but it ain’t all it’s cracked up to be. It ain’t near as tough as 9–ball.
RG: How would you compare the players twenty years ago with those today?
JM: A champion is a champion. They all do the same thing. They get the job done. You give them a shot and they are off to the races. The only thing different today is there is more competition, more people playing. So you’ve got a lot tougher road to go in these tournaments compared to years ago. The players are becoming more educated all the time, so it’s tougher to win because of the upgrade in the competition. And like I say, the game today is 9–ball instead of straight pool.
RG: What’s the biggest difference between a good amateur and a professional?
JM: The education of the game. Knowing when to play safe. Knowing the right shot to shoot. Having a road map in your mind of what to do. Most amateurs and beginners just shoot the ball in and take what’s left. They don’t think ahead. Well, they think ahead, but they don’t think the right way. It takes a long time to learn how to play the game the right way. If you are just a shotmaker, that’s a good tool to start with,but to improve you need to learn things from the game and you learn by playing a long tie and from people helping you.
RG: How can average players improve their pattern play?
JM: Unless someone explains it a little bit, it’s hard to pick up on your own. It’s hard to understand hat they are doing, unless you have it in your own mind. A guy might run four or five racks of 9–ball and you might say, "Well, he’s a good shotmaker," but there’s more to it than that. You don’t want your cueball flying all over the place. Of course, in 9–ball, sometimes you can’t help it. But you don’t want to move the cueball around too much.
RG: What causes most misses among experts?
JM: Taking a shot for granted. sometimes you miss because you take a shot for granted. As far as tournaments go, you just dog it because of pressure.
RG: Is pressure a big factor?
JM: Sure it is. That’s the number one factor. When I practice, I play as good as anybody that ever lived. Never miss a ball. Get out there in a tournament and it’s a different story. A different story when you got pressure on you. The mental trip is half the battle. You’ve got to somehow relax yourself. If you don’t, you are in a lot of trouble.
RG: A handful of players like Varner, Strickland and Davenport dominate the pro tour. What sets them apart from the rest of the pack?
JM: They handle the pressure better than a lot of people, They know the game real well and they’ve got a lot of natural ability. When you win, you gain confidence. A pool player without confidence just can’t win. When you get on their level all you want is a shot. As soon as you get a shot, you know in your own mind that the game is over. When you get that type of feeling, you are there. Mentally, your concentration has to be there. You’ve got to want to win. Winning’s got to be the most important thing to you. When the good players play, it’s just a question of who’s going to get the shots and who isn’t.
RG: Why can’t the women beat the men?
JM: they don’t have the education of the game. Twenty years ago I watched them play and it was boring. It’s not like that anymore. the women play good now. They have the capability to shoot balls in the hole, but now they have to learn how to play the game. Men have been playing the game for centuries; women have only been playing for 25 years where they’ve got good competition. They’re learning things from the men when they go to tournaments. The women can’t beat the men because they don’t have the education of the game, but once they do there’s no reason they can’t compete with the men. They don’t have a powerful opening break, but after that there’s no reason why a woman can’t play as well as a man.
RG: What do you think of jump cues?
JM: I think they should be barred from the game. It doesn’t take any talent to use a jump cue. If you have to masse your cueball or go three or four cushions to hit the ball, it takes an education, but they pull out these jump cues and it takes no talent as far as I’m concerned. It takes a lot of skill away from the game. Instead of practicing with their jump cues, they ought to practice some billiards. Then they could learn something that really helps when you’re playing with rules where you have to kick at the ball. The rules really favor a good billiard player.
RG: What do you like about the pro tour?
JM: When I was young, I used to like the competition. I like being in competition. I’ve been competing for 26 years. Now I want to get paid for it. A fighter can go out there and get knocked out in ten seconds and pick up ten million. You play a pool match and if you lose you don’t get paid. I don’t like that at all. Neither do any of the other players. Pool tournaments are real simple. If you don’t come in 1st or 2nd, you go home a loser. It’s too tough. There’s no game tougher than pool. Of the non-physical sports, pool is the boss of all games. When you have to beat the best in the world to pick up five or ten thousand, it’s an insult.
I’d like to see how good the golfers played if they didn’t get paid for losing. There’s no pressure if you’ve got to make a putt to win $200,000 and if you miss you get $120,000. Hell, you call that pressure. Get up there when you’ve got to shoot a shot nine feet rail to rail and you get nothing if you miss. that’s pressure.
RG: How do players survive on the tour?
JM: They get backers. They hustle around a little bit. If there’s a tournament somewhere, I don’t care if it’s on the moon, they’re going to it. Whatever it takes to get there, they’ll do it.
RG: The snooker players in England succeeded in getting money into their game.
JM: They succeeded because they have gambling. You can bet on it. They’ve got legalized bookmakers thee just like going to the race track. People can turn on their TV and bet on a match.
RG: What can be done to get the game moving?
JM: We need a sponsor. We’ve got the tour. We’ve got the players. We can put on the greatest show in the world for them, but until the big money comes along what good is it?
RG: 7-UP and some other major corporations use pool in their commercials, but I don’t see them promoting the game or sponsoring any players.
JM: Sure, pool players have been getting used and abused their whole life. Take a look at the commercials on TV involving a pool table. They have a model come in who can’t even hold a cue stick. Who wants to watch some guy from Mabelline that can’t hold a cue. It’s boring. If they had a professional doing it the right way, it’d be the kind of commercial where people wouldn’t turn the station. That’s the difference between being smart in the marketing business and being an idiot. If those advertising executives want a commercial that’ll be talked about, send them to me. I’ll make the most talked about commercial in history.
RG: Do you think pool has an image problem?
JM: They say that pool has a bad image, but I don’t understand that. Watch Tommy Lasorda on TV. If you can read lips, I don’t have to tell you what he says every three minutes. The same way with all those referees, coaches and players---nothing but filthy language. They’re all on drugs and everything else. They can’t read, can’t write, can’t spell their name, but that’s OK because there’s big money involved. That’s where America is full of baloney. Anything that’s got money involved, they’re all for it. They don’t care about the fact that you’ve been in prison or that you are a dope head. As long as there’s money involved, it’s OK. They dog pool players because there isn’t any money involved. If there was some money in the game, they’d think pool players were the greatest people who ever lived.
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